BASOEKI ABDULLAH: “Fakta & Fiksi”
Museum Basoeki Abdullah, Galeri Nasional Indonesia & ARTventure
Mengundang Anda untuk menghadiri acara pembukaan:
Cordially inviting you to attend the opening ceremony of:
Pameran Tunggal Maestro Seni Lukis Indonesia
BASOEKI ABDULLAH: Fakta & Fiksi
Yang di selenggarakan pada
Which will be held on
26 Juni 2009, 19.00 WIB
Bertempat
Venue
Galeri Nasional Indonesia – Gedung Utama
Jl. Medan Merdeka Timur No 14 Jakarta Pusata
Kurator/Curator: Mikke Susanto
Pameran/Exhibition : 26 Juni – 5 Juli 2009
Dress Code : Batik
AGSI dalam Pekan Produk Kreatif Indonesia
GRAND EXHIBITION:
AGSI Mengundang Anda untuk menghadiri pameran bersama para anggota AGSI dalam
Pekan Produk Kreatif Indonesia 2009
pada:
25 – 28 Juni 2009
Jakarta Convention Centre
Ruang Cenderawasih, Booth 4-15
Dengan Tema:
“Menjadikan Budaya dan Teknologi Sebagai Basis Pengembangan Ekonomi Kreatif Indonesia”
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ART TALK:
Asosiasi Galeri Senirupa Indonesia turut mengundang anda untuk hadir dalam ART TALK yang akan membahas tema:
“Perkembangan Seni Rupa di Indonesia dan Potensi Indonesia sebagai Tuan Rumah dalam International Art Fair Pertama di Tahun 2010″
ART TALK ini akan dilaksanakan pada:
Hari/Tanggal: SABTU, 27 JUNI 2009
Waktu: Pk. 18.30 – 20.30
Tempat: Jakarta Convention Center Lower Ground – Ruang NURI I
SESI 1: KONDISI, POSISI DAN PERKEMBANGAN SENIRUPA INDONESIA DI DALAM DAN LUAR NEGERI
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AGUS SUWAGE’S SOLO EXHIBITION “Still Crazy after All these Years”
AGUS SUWAGE’S SOLO EXHIBITION
“Still Crazy after All these Years”
(selected works : 1985 -2009 )
Curated by Enin Supriyanto and will be officiated by Biantoro Santoso.
Start Time: Saturday, July 4, 2009 at 7:30pm
End Time: Friday, July 31, 2009 at 8:00pm
Location: Jogya National Museum
Address: Jl. Amri Yahya (gampingan) No.1
City/Town: Yogyakarta, Indonesia
“VISTO” by Lovis Ostenrik
“VISTO” by Lovis Ostenrik
PHOTO EXHIBITION celebrating HUMAN VITALITY through crafted moments of BODY, LIGHT & SHADOW
visto – body, light & shadow – 25 digital prints on canvas by artistic photographer Lovis Ostenrik
Curated by Kadek Krishna Adidharma
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The body has its own language. It requires no arrangement of words to communicate. Born as a husk devoid of assigned meaning, a shell allowing the soul to be present in this universe of action and reaction, the body is a starting point: the blank canvas of human expression.
At a time when the contemporary life of Indonesia tends to invalidate the physical aspects of humanity, it is important to welcome the presence of young artists such as Lovis Ostenrik who explores the various possibilities of the body’s expression.
Lovis’ exploration began with the dynamic movement of a dancer’s body jumping in mid-air. From among hundreds of jumps, a number of surprising moments have been captured, especially when the shadows begin to tell other stories.
“VISTO” is an array of moments crafted and created by Lovis Ostenrik from body and light. While the works in his first solo exhibition titled faces
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Pameran Seni Rupa “2×3″
Pengantar Pameran Seni Rupa “2×3″
Cerita Tentang Ruang 2 x 3,
Cerita Tentang Ruang Budi Kurniawan + Raprika Angga + Nue Prastowo + Cosmas A.K
+ Harun + M. A Kurniawan + Rosit Mulyadi
2 x 3 sebagai ruangan,
Merupakan simbolisasi ukuran ruangan kamar adalah suatu tempat tertutup dengan langit-langit di suatu rumah atau bangunan lain. Suatu ruangan dapat memiliki sejumlah pintu dan jendela yang mengatur cahaya, aliran udara, dan akses ke ruangan tersebut.
2×3 sebagai ruang,
Merupakan ruang pribadi (hati, pikiran) melakukan proses pengendapan terhadap setiap persoalan atau suatu konflik dunia luar (eksternal) dan dunia dalam (internal) yang sering kali menteror mental maupun pikiran seniman.
Kersan Art Studio, khusus mengucapkan teruntuk kawan-kawan 2 x 3 tidak ada kata berhenti dalam perjuangan, harapan berproses mencari kepribadian untuk menghasilkan karya seni rupa khususnya seni lukis plus gagasan kreatif, inovatif, positif dan kritis dimana ruang itu bisa berarti semakin kecil
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Pameran Koleksi Seni Grafis Galeri Nasional Indonesia di PPKI 2009
Dalam rangka untuk memeriahkan Pekan Produk Kreatif Indonesia 2009 di JCC, Galeri Nasional Indonesia membuka paviliun untuk memamerkan koleksi karya seni grafis antara lain :
1. Oesman Effendi
2. Mochtar Apin
3. Suromo
4. Kaboel Suandi
5. T. Sutanto
6. Marida Nasusiton
7. Tisna Sanjaya
8. Devy Ferdianto
9. Edi Purwantoro
Start Time: Thursday, June 25, 2009 at 10:00am
End Time: Sunday, June 28, 2009 at 9:00pm
Location: HALL A CENDRAWASIH JCC
Address: Senayan
City/Town: Jakarta, Indonesia
Phone: 08161340103
Email: susilo.eddy@gmail.com
Selain pameran grafis juga akan diselenggarakan workshop seni grafis cukil kayu
Tutor : Nikasius, Syaiful Ardiyanto dkk
Diskusi Seni & Budaya
Diskusi Seni & Budaya
bincang-bincang Seni Rupa saat ini
Pembicara: Asmudjo Jono dan Hendro Wiyanto
Host: langgeng Gallery dan Sangkring art Space
Date: Thursday, June 25, 2009
Time: 2:00pm – 5:00pm
Location: Sangkring Art Space
Address: Nitiprayan Rt.01/20 No.88
City/Town: Yogyakarta, Indonesia
Phone: 0274381032
Email: sangkring@gmail.com
Indieguerillas | Fools’lore: Folklore Reload
The first word in the title is a play of words. The term Fools’lore does not exist in the English vocabulary as a single or hyphenated word. Here, it is introduced as a parody of Folklore. The understanding of ‘fool’ here finds its equivalent in the Bahasa Indonesia concept of pandir: stupid, idiotic, humorous, but not without charm. Fools’lore is an epic created by Indieguerillas.
The storylines of fools’lore were born from the artists’ experiences in engaging folklore. Indieguerillas took it as their mission to re-load various traditional folk tales into the contemporary art scene. This intentional reload process is aimed towards unpredictable effects and sensations. These results are achieved through combining signs, compositions, characterization of figures created (or re-created). It is not only done in a single media, but also intermedia. Through this reload process, they grasp an opportunity to present their versions of history. Their attitude is staunch: they refuse to be dictated by history while at the same time responding to and thriving within the popular culture that upholds temporal appearances. In many ways, this fools’lore project is subversive.
As if anxious of the insecurities and uncertainties of life’s impermanency, people seek principles to hold on to. One of their choices is to believe in mythologies. Disregarding authenticity and accuracy of a myth, folk tales are considered reliable by many as guidance for daily life, even among modern society. Myth blends itself into daily activities. Like a mirror, in myth we often find a semblance of precision, compatibility, and similarity between our characters and those in the traditional shadow puppet stories. As the industry of popular-culture grows, heritage such as traditional shadow puppetry is pushed aside, diminishing in popularity. Many folk tales are in danger of dying. They lay asunder, often neglected between a waning past and the people’s pressing needs for signs that hold the promise of fresh forms.
Kirsty Ludbrook “The Frames in Between”
Embroidery and manga are an unlikely match, but in Kirsty Ludbrook’s large-scale silk artworks, the painstaking technique is used to preserve the fleeting moment they depict.
Intricately hand-stitched, the embroideries are appliquéd into graphic compositions that each describe a single, reflective instant. Paintings on the same scale investigate different sensations of the moment, as Ludbrook manipulates paint to explore motion. Together the series of ‘storyboard’ frames build a sense of repetitive motion around the exhibition space.
Interested in the ways we attain knowledge of ourselves, Ludbrook here explores the simple moments of reflection in which understanding comes to us. ‘The Frames in Between’ – the undrawn frames in a storyboard – are those she believes are the most significant in the pursuit of self-knowledge. Continue Reading →
Kamus Khazar : Sebuah Novel Leksikon’ karya Milorad Pavic
Bangsa Khazar adalah metafora untuk sekelompok kecil manusia yang bertahan di antara kekuatan-kekuatan adidaya dan agama-agama besar. Pada akhir abad kesepuluh, bangsa ini hilang dari peta kebudayaan dunia. Masih banyak hal belum diketahui tentang bangsa ini.
Novel ini menjajaki dan menyingkap Polemik Khazar secara cerdas dan jenaka. Kamus Khazar menyajikan perpaduan yang menarik antara fiksi dan nonfiksi. Pembaca akan disuguhi berjibun anekdot khas cerita rakyat. Continue Reading →
Namun, novel ini berformat kamus mirip ensiklopedia mungil yang menggabungkan referensi silang dari tiga agama (Kristen, Islam, dan Yahudi). Layaknya membuka kamus, pembaca dapat memulai dari bagian mana saja—”Kitab Merah” untuk sumber Kristen, “Kitab Hijau” untuk sumber Islam, dan “Kitab Kuning” untuk sumber Yahudi—bukan melulu dari depan ke belakang.
The Complexity of Simplicity
Agenda Senin, 22 Juni 2009/Program Monday, 22 June 2009
15.00 – 16.00 Pembukaan Pameran dan ramah tamah / Exhibition Opening and coffee break
16.00 – 18.00 Ceramah / Lecture – Ceramah dalam bahasa Inggris / Lecture in English
Pada pertengehan tahun 1980-an, Max Kisman mempelopori teknologi digital yang diterapkan pada desain majalah, gambar dan tipografi serta poster. Pada 1986, dia mendirikan TYP/Typografisch Papier yang bergerak di bidang tipografi dan seni.
De samping lukisan eksploratif dan berbagai proyek seni dan instalasi, Kisman mendigitalisasi berbagai jenis huruf untuk FontShop International di Berlin, Jerman. Max Kisman pernah menjabat sebagai kepala desainer grafis
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An Aquarelle Exhibition “In Search of Soul”
an Aquarelle Exhibition
“In Search of Soul”
Curated By : Bambang Asrini Widjanarko
May 28th – June 28th, 2009
Opening : Thursday, May 28th 2009 at. 07.30 pm – done
PHTHALO AQUARELLE GALLERY
Jl. Kemang Selatan VIII No. C-4, Jakarta Selatan 12730
t/f: +62 21 7182587
e-mail: phthalo_gallery@yahoo.com . info@myphthalo.com .
www.myphthalo.com