Pameran
Date: 3 – 12 Juli 2010
Karya Tokoh Seni Rupa, Scenografi/ Tata Artistik, Karya Pengajar
Venue: Lobby Grand Teater TIM
Instalasi
Venue: Plaza Grand Teater TIM
Ilustrasi, Multi Media
Venue: Galeri Cipta 3 TIM
Karya Mahasiswa
Venue: Galeri Cipta 2 TIM, galeri Seni Rupa IKJ
Workshop Continue Reading →
Date: 5 – 8 Juli 2010
All Venue: Galeri Cipta 2 TIM
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Liminal is a term used to describe a condition or state of transition or in a process of transformation. The term is often used in studies of anthropology or psychology. In some mythological stories or fiction, the term is often used with a meaning that is more flexible to describe the character of a creature that is a combination of two simultaneous levels of existence, but differ from one another in a physical body, such as Centaur, Bascelik, Buraq, and Another who attended the various mythological stories. The Embodiment of these creatures in various mythological stories contained symbolic meaning,
JOIN OUR NEXT TWO-WEEK WORKSHOP AT GAYA CERAMIC ARTS CENTRE
SPONTANEOUS GLAZING: Anagama Wood-firing
Delighting in the element of serendipity and spontaneous beauty, this workshop will explore the kiss of flame and the natural glaze effects of atmospheric wood-firing in Gaya CAC’s new anagama (Japanese-style wood kiln)
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For individuals interested in “tasting” clay-perhaps for the first time or to continue growth and enhance skills.
This series of Friday – Saturday two-day workshops offer a range of focal points for variety of interests
Agenda:
Basics; introduction to the wheel
January 8-9, 2010
Dynamic Handbuilding
February 13 – 14, 2010
Throwing Basics and Beyond; continued introduction to the wheel Continue Reading →
February 26 – 27, 2010
Kejadian/benda sehari-hari yang biasa-biasa saja mungkin selalu anda sepelekan, bahkan kesampingkan, yaitu bebatuan atau rerumputan/ ilalang. Padahal apapun di sekeliling akan memiliki nilai bahkan makna; mengapa mereka harus bersanding di sekeliling dimana kita tinggal dan hidup.
Ambil segenggam lempung/ tanah liat, lubangi ditengahnya (Lao Tze) maka karena ruang itulah dia menjadi berguna sebagai wadah.
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Solo exhibition of Albert Yonathan Setyawan
Curated by: Asmudjo J. Irianto
Humans, constructions, animals, and plants serve as the basis for the modules in Albert’s configurations. These modules seem to represent the universe and all its content. The underlying problem that unites these components, however, is not immediately apparent. We can view Albert’s works as symbolic artwork, but one with no binding meaning; rather, the artwork has an open meaning that suits each of our perceptions and backgrounds.
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Jakarta Contemporary Ceramic Biennale #1 held in North Art Space (NAS), Pasar Seni Ancol, is an attempt to map the practice of contemporary art, not only in Indonesia but also in South-east Asia countries and worldwide. In its first event—the initiation—there are prominent figures in art world, teaming up as a curator team that would do the selection namely Asmujo J. Irianto and Rifky Effendy.
Adding public appreciation towards the art of ceramic, there will be sessions of lecture about the development of art and the practice of ceramic and workshop of Japanese Raku technique; also the one open for public is shaping ceramic on potter’s wheel. It is a high hope that this contemporary ceramic biennale, organized by NAS, bring the development of both national’ and international’s ceramic practice. Continue Reading →
Seminar
CERAMIC ART: In Between Contemporary Art and Ceramic Craft
Sunday/20-12- 09
10.00 : Opening Speech by Mr. Budi Karya (Director of Ancol)
Session I Continue Reading →
10.20 : Opening by Moderator : Nurdian Ichsan
10.20-11.20 : Contemporary Ceramics Art Development by Asmudjo Irianto
Pameran ini menampilkan sosok semar dalam berbagai bentuk,simbol, gaya, ekspresi,aksesoris yang digarap secara cermat dan artistik. Semar yang merupakan putra Sang Hyang Wisesa atau dalam filosofi budaya Jawa juga disebut Badranaya memiliki karisma yang kuat untuk memberi tauladan agar selalu ingat terhadap Sang Pencipta, menyayangi sesama umat, serta menegakan keadilan dan kebenaran di bumi. Semar dikenal memiliki anugerah mustika manik astagina yang memiliki delapa daya, yang membuat dirinya tidak pernah lapar, mengantuk, jatuh cinta, bersedih, merasa capek, sakit, serta tidak pernah kepanasan dan kedinginan.
Selain keramik 30 Semar karya F Widayanto juga ditampilkan wayang kulit dan wayang golek Semar koleksi Greg Churchil