Opening : Friday, December 3, 2010 at 7:00pm
Closing : Monday, December 20, 2010 at 4:00pm
Venue : Semarang Contemporary Art Gallery
Address : Jl. Taman Srigunting 5-6, Semarang

Opening: Tuesday, July 13, 2010 at 7:30pm
Closing: Sunday, July 18, 2010 at 6:00pm
Venue: Bentara Budaya Jakarta
Address: Jl. Palmerah Selatan 17 Jakarta, Indonesia

Videorobber#1 merupakan kompilasi pertamanya di tahun 2007, yang berisi 10 video. Setelah 3 tahun berproses Videorobber akan mengeluarkan kompilasi yang kedua, dan projek ini masih dalam proses penyelesaian, dan akan berisi 10 video. Kompilasi yang kedua akan diberi judul Videorobber#2.

Materi yang akan ditampilkan adalah:

Flying Love Letter (03’20”/ 2008)
Surat cinta yang ditampilkan dengan 3 media dan 3 bagian yang berbeda.

Participatory (05’34”/ 2009)
Kuis, wanita dan partisipan.

Kolase (02’39”/2007-2008)
Tidak ada yang berubah setelah bergantinya tahun!

Light (03’16”/2009)
Perjalanan panjang untuk menangkap cahaya.

Soul Horizon (03’16”/2008)
Memerlukan kedua sisi untuk menyempurnakan keseimbangan.

Breathing by Obscurity (02’46”/ 2008)
Sebuah video music dari band metal Hands Upon Salvation.

kontak:
VideoRobber
video_robber@yahoo.com
08176049460 (ipoenk)
Jl. Ngasem 38 Yogyakarta – Indonesia 55132

Date: Saturday, February 27, 2010
Time: 7:00pm – 9:00pm
Venue: Ruang Arsip Kinoki, Taman Budaya Yogyakarta
Address: Jalan Sri Wedani No. 1 Yogyakarta, Indonesia

Videochronic : Video Activism and Online Video in Indonesia
- Book Launching and Discussion-

Speaker: Yanuar Nugroho (Manchester Institute of Innovation Research)
For Free

The proliferation of moving image production and its increasing representation on the internet has introduced new ways of transmitting information that intensify the connectedness of agents from different settings–including those within the social change movement. However, there has been very little research on how activists in Indonesia incorporate the developments in video technology into their existing practices, or how they engage with the possibilities of strategic distribution, particularly the various online forms. Indonesia is in a state of transition, politically and socially, but also in relation to the many technologies. Access to video production tools, the internet and mobile technologies, whilst still limited, is increasing dramatically.

The current publication is one outcome of a collaborative research between EngageMedia and KUNCI Cultural Studies Center. The research charts how activists are engaging with these technologies in the Indonesian context, addressing some of the issues of technology-mediated social movements, and exploring the potential and limitations of online video distribution. By analysing its history, mapping the current situation, and considering possibilities for the future, we hope to bring new light to video activism in Indonesia and begin the process of asking many more necessary questions. Hopefully Videochronic serves as a guide for those exploring the social change possibilities of employing new media technologies in many places and also assists those inside Indonesia to reflect on the work done to date, and the many paths emerging.

Start Time: Friday , 13 November 2009
Time: 6 PM -end
Location: KUNCI Cultural Studies Center
Address: Jl Nagan Lor 17A, Yogyakarta

“Picturing Places Around the World”
Video works screening from the n.b.k. Video-Forum, selected by Kathrin Becker

The screening consists of works of international artists that are part of the N.B.K. Video-Forum, the eldest video-archive in Germany. It focuses on interventions of artists in the urban space or their analysis of urban phenomena. The screening has six different “stops” in six different places of the world :

1. Stop: Hamburg: Food Shopping
Die Jagd (1992-1997 | 1‘ 11“ | Christian Jankowski )

2. Stop: Mexico. Wild dogs
El Gringo (2003 | 4‘ 12“ | Francys Alys)

3. Stop: Bukarest/Romania: A man with a door on his back
Sample City (2003 | 11‘ 45“ | Calin Dan)

4. Stop: Jerusalem: Being a Palestinian Girl
Happy Days (2006 | 3‘ | Larissa Sansour)

5. Stop: Berlin: Two Lonely Men
Dieter (2007 | 17‘ 50“ | Artur Zmijewski)
I? (2004 | 4‘ 17“ | Shahram Entekhabi)

6. Stop: Somewhere in the virtual worlds
Eight miles high (2001 | 3‘ 18“ | Domingo Molina Cortés)

Also present video from Indonesia :

1. Jalan Tak Ada Ujung (The Endless Step) (2006 | 7’ | Maulana M Pasha)
2. What (2001 | 10’ 42” | Reza ‘Asung’ Afisina)
3. Alam: Syuhada (2005 | 9’ | Hafiz)
4. Rumah (Home) (2007 | 7’ | Otty Widasari)
5. Bilal (2006 | 4’ | Bagasworo Aryaningtyas)
6. Tamasya Reklame (2007 | 2’ | Singgih AP)
7. Crash (2004 | 40” | Anggun Priambodo)
9. Iqra (2005 | 2’ 10” | Ari Satriadarma)
10. Pemandangan Piknik (Scenery) (2003 | 7’ | Forum Lenteng)
11. Benhil (2003 | 5’ 37” | Forum Lenteng)

Biographical Information about Kathrin Becker

Kathrin Becker is a curator and has been director of the Videoforum at the Neuer Berliner Kunstverein and of the Neuer Berliner Kunstverein (N.B.K) in Berlin since 2001/2003.

Having studied art history and Slavonic studies in Bochum, Moscow and St Petersburg and spent two years living in the former Soviet Union and Russia from 1989 to 1991, Kathrin Becker began working as an independent curator.

In 2001 Becker became director of the ‘Videoforum’ in the Neuer Berliner Kunstverein, a video archive that now encompasses over 1000 works from the beginnings of video art up to the present day. Besides digitizing the archive’s holdings, she has been responsible for numerous exhibition projects and collaborations with institutions in East and West Europe, in the United States of America and Mexico.

In the last few years Becker has become increasingly interested in the question of the social dependence and political dimensions of art. In this respect the possibilities offered by combining visuality and ideological mood strike her as more interesting than documentary or anti-representative.

Neuer Berliner Kunstverein

N.B.K. is a site of contemporary art and discourse production. It was founded in 1969 with the goal of presenting contemporary fine art to a broader public, and to invite that public to actively participate in cultural processes.

In 1970, n.b.k. founded one of Germany’s first “arthotheks,” from which art enthusiasts can borrow from over 4,000 works of international art from twentieth and twenty first century. Artothek mobil creats exhibitions for public institutions, schools, and businesses. With the Video-Forum, n.b.k. possesses a collection of over 1,000 international art videos that has constantly been expanding its founding in 1972.

Start Time: Friday, October 30, 2009
Time: 4 PM
Place: ruangrupa
Address: Jl. Tebet Timur Dalam Raya No. 6, Jakarta Selatan 12820
E-mail: info@ruangrupa.org

“Make Your Own Festival”

All this time, Festival is always considered as an art event that spends a lot of money. Meanwhile, to get big amount of fund is not such an easy problem. Not every person able and have the access to get it. KKF tries to make a festival which is made based on context.

The slogan, that we are offered, is “make your own festival / do it yourself Festival”. We started it with movie festival of an artist from Yogyakarta, a little festival with a big purpose, propagandizing local artist as the city asset.

The theme of this Festival Project will change later on; it is starting with film, and the next about sandals, etc. KKF wants to invite other institutions to do the same thing, at their own institutions. Just try to hold the festival relatively in short period of time, so that those festivals are able to build link and synergize to each other, from small turns to big. That is what we expected for.

Introduction by the Curator – Brigitta Isabella

Actually, maybe it is a bit too late, when Kedai Kebun holds Wimo Film and Video Festival as one of the manifestation of the program “do it yourself” Festival. Because Wimo himself is active in making his own video works since 2000 – 2007. And now, Wimo is back to his root; photography. When it was in 2000s, he used the video as his media because the situation and the condition at that time was more efficient and economical for a student, who were not even pass the college at ISI (Indonesia Institute of Arts, in Yogyakarta). Photography as a hobby or even profession, indeed need much bigger fund. Meanwhile, video only need handycam and one mini DV cassette, and then he able to realize a lot more ideas which is jumbled in his head.

With his education on photography, Wimo made video works which were not too different with his photography works. His characteristics are always full of humor, metaphorical, and carry microscopic things in the daily life. Then by video camera, Wimo explored more on editing techniques and interacted with his subjects.

The closeness of Wimo with video cannot be separated from the history of developing video in Indonesia itself. According to the history, the acquaintanceship between the Indonesian and video started in 1962, when the first TV station, TVRI, was established coincided with the Asean Games IV Project. But, different with the existence of television in Europe and America which caused pop arts, fluxes and video art existed as critics to media domination. For tens of years, TVRI dominated and created single autocracy during the New Order era. Even, at that time, video considered as a threat for national stability, because its effect considered able to deprave the nation morality and caused consumerism (for further information, please check Forum Lenteng research in VIDEOBASE, 2009). In 1999 – 2000, not long after the fall of New Order, the global information flow rapidly, along with technological development, such as internet, SMS, and video. Wimo becomes one of young artists who start using video as his media. The other examples artists are Prilla Tania, Ariani Darmawan in Bandung, or RuangRupa Jakarta.

Thereby, even at the beginning of my introduction I wrote a bit too late to hold Wimo Film and Video Festival, Wimo’s videos are still contextual to be discussed. Most of his works have universal characteristic. For example: “Overload”, “A Night with Black Satin”, and “Stand Still” are some videos which give the audiences opportunity to get certain visual impressions. Meanwhile, the social messages, which described metaphorically, can be seen in “Ksatria Penghalau Gelombang” (Wave Herder Knight), “Sabar” (Patient), or “Forget It, Forget It Not.”

Besides video, Wimo also has produced three short movies, which are the three of them had different approaching and characters. “Berlari untuk Entah” (Run for something unknown) is his first movie, which tells about fiction story of a punker who found a handphone belonging to Dangdut singer. The unique about this video is that it is played by real punker and the shooting is at the venue where punkers are hanging-out. Different with Ayis, it is a documenter movie about 13-years-old boy, who grew-up and played-around the Beringharjo market. The difference with regular documenter movie is that Ayis documented his own life with the CCTV camera fitted on his head. In those two movies, which I mentioned above, seem like Wimo is trying to reveal the expression about reality which is recorded in camera. The variety of themes and approaching by Wimo in his work is very interesting to discuss. But of course, don’t easily trust my introduction, just watch and appraise it by yourself. J

About “MOVIE BAZAAR”

Movie Bazaar is a bazaar for those movie activators, movie makers, and movie lovers, whether it is made by themselves or by other people. This bazaar can be used as promotion site and for trading merchandises or services which is related with film. For example: selling VCDs, selling the skill of CDs cover design, selling the service of film editing, selling the service as talents provider, selling yourself as an actor/actress/walk-on player, selling the skill of making movie soundtrack, selling the service of movie marketing, selling the promotion/advertising products of old movies, selling fashion products related with film, etc. This trading event can be done by individual or group.

For further information on MOVIE BAZAAR, please contact:
Organizer Committee : MOOF
Contact person : Mario (0818 0267 6311)

=====================

“Make Your Own Festival”
Agung Kurniawan / Direktur Artistik

Selama ini festival selalu dianggap sebagai sebuah peristiwa kesenian dengan dana besar. Sementara itu untuk mendapatkan dana besar bukanlah sebuah perkara mudah, tidak setiap orang mampu dan punya akses untuk mendapatkannya. KKF berupaya membuat sebuah festival yang dibuat berdasarkan konteks.

Semboyan yang kita tawarkan adalah “buat festivalmu sendiri/ do it yourself festival”. Kami memulai dengan sebuah festival film dari seorang seniman dari yogyakarta, sebuah festival kecil dengan tujuan besar, memprogandakan seniman lokal sebagai aset kota.

Proyek festival ini nantinya akan berganti temanya, mulai dari film kemudian nanti akan berganti menjadi sandal, dan lain sebagainya. KKF ingin mengajak lembaga lain juga melakuakn hal yang sama, di lembaga mereka sendiri-sendiri. Diupayakan dalam waktu yang relatif tidak berjauhan, sehingga masing-masing festival itu kemudian dapat membentuk jaringan dan saling bersinergi. Dari kecil bertaut menjadi besar, itulah yang kami harapkan.

Pengantar Kurator – Brigitta Isabella

Mungkin sebetulnya agak terlambat, ketika Kedai Kebun mengadakan acara Wimo Film and Video Festival sebagai salah satu manifes program do it yourself festival-nya. Pasalnya, Wimo sendiri sebetulnya aktif membuat karya-karya videonya pada tahun 2000-2007. Saat ini Wimo sedang asyik bermain-main kembali ke roots-nya yaitu fotografi. Ketika di tahun 2000-an ia menggunakan medium video pun, itu disebabkan karena situasi dan kondisi yang akan lebih efisien dan ekonomis bagi seorang mahasiswa yang tak kunjung jua lulus di ISI. Fotografi sebagai sebuah hobi maupun profesi memang membutuhkan dana yang lebih besar. Sementara dengan medium video, bermodal handycam dan satu buah kaset mini DV, ia bisa merealisasikan lebih banyak ide yang carut marut di kepalanya.

Dengan dasar pendidikan fotografinya, Wimo membuat karya-karya video yang tidak jauh berbeda karakternya dengan karya-karya fotonya. Ciri khas karyanya selalu humoris, metaforik dan mengangkat hal-hal yang mikroskopik dalam kehidupan sehari-hari. Hanya saja dengan kamera video, Wimo banyak mengeksplor teknik editing dan berinteraksi dengan subjek-subjek yang ia rekam.

Kedekatan Wimo dengan kamera video tidak bisa dilepaskan dengan sejarah perkembangan video sendiri di Indonesia. Menurut data sejarah, perkenalan bangsa Indonesia dengan video bermula pada tahun 1962 ketika stasiun televisi pertama TVRI didirikan bersamaan dengan proyek Asean Games IV. Namun, berbeda dengan kemunculan televisi di Eropa dan Amerika yang menyebabkan munculnya gerakan seni pop art, fluxus dan video art sebagai kritik terhadap dominasi media, selama berpuluh-puluh tahun TVRI tetap mendominasi dan menciptakan persepsi kekuasan tunggal pada era Orde Baru. Bahkan pada masa itu, video sempat dianggap sebagai sebuah ancaman bagi kestabilan nasional karena efeknya yang dianggap mampu merusak moral bangsa dan menimbulkan konsumerisme (lebih lanjut lihat penelitian Forum Lenteng dalam VIDEOBASE, 2009.) Barulah pada tahun 1999-2000, tak lama setelah keruntuhan Orde Baru, arus informasi global menderas disertai dengan perkembangan teknologi seperti internet, SMS dan video. Wimo menjadi salah satu seniman muda yang mulai menggunakan video sebagai alat berekspresinya seperti misalnya, Prilla Tania dan Ariani Darmawan di Bandung atau kawan-kawan ruangrupa di Jakarta.

Dengan demikian meski di awal tulisan ini saya katakan agak terlambat untuk mengadakan Wimo Film and Video Festival, video-video yang diproduksi Wimo tentu masih sangat kontekstual untuk dibicarakan. Kebanyakan karyanya bersifat universal. “Overload”, “A Night With Black Satin” dan “Stand Still” misalnya, merupakan video-video yang memberikan kesempatan penontonnya untuk menangkap kesan-kesan visual tertentu. Sementara pesan-pesan sosial yang digambarkan secara metaforik dapat kita lihat dalam video “Ksatria Penghalau Gelombang”, “Sabar” atau “Forget it, Forget it not”.

Selain video, Wimo juga telah memproduksi tiga film pendek yang ketiganya memiliki karakter dan pendekatan yang berbeda. “Berlari untuk Entah” adalah film pertamanya yang menceritakan kisah fiksi seorang anak punk yang menemukan handphone milik seorang penyanyi dangdut. Uniknya, film ini dimainkan oleh anak punk beneran dan disyuting di lokasi dimana anak-anak punk jogja biasa nongkrong. Lain lagi kisah Ayis, sebuah dokumenter tentang anak berumur 13 tahun yang besar dan bermain di pasar Beringharjo. Berbeda dengan film dokumenter biasa, Ayis mendokumentasikan kehidupannya sendiri dengan kamera CCTV yang dipasang di kepalanya. Dalam dua film yang saya sebutkan di atas, tampaknya Wimo mencoba memunculkan wacana tentang realitas yang terekam dalam kamera. Keberagaman tema dan pendekatan Wimo dalam menggunakan kamera video untuk merekam dunianya amatlah menarik untuk kita simak bersama. Tapi, tentu saja jangan cepat percaya dengan tulisan saya, silahkan menonton dan menilai sendiri! J

Tentang MOVIE BAZAAR

Movie Bazaar adalah bazaar yang diperuntukkan bagi para penggiat, pembuat, dan pencinta film, baik film bikinan sendiri maupun bikinan orang lain. Bazaar ini bisa dpergunakan untuk ajang promosi dan berdagang produk-produk maupun jasa yang berkaitan dengan film. Misalnya: menjual VCD, menjual kemampuan mendisain cover CD, menjual kemampuan mengedit film, menjual kemampuan mencari figuran (talent), menjual diri sebagai actor/figuran, menjual kemampuan membuat soundtrack film, menjual kemampuan menjualkan film, menjual produk-produk promosi film-film lawasan, menjual produk fashion bertema film, dll. Acara jual menjual ini bisa dilakukan baik oleh individu maupun kelompok.

Informasi lebih lamjut hubungi:
Organizing Committee : MOOF
Contact Person : Mario (0818 0267 6311)

WIMO FILM and VIDEO FESTIVAL
Screening of Wimo Ambala Bayang’s films and movies

Start Time: Wednesday October 28, 2009
End Time: Friday, October 30, 2009
Time: 7:30 – 9:00 pm (On time, Please)
Place: Performance Space (2nd floor) of KKF
Address: Jl. Tirtodipuran No. 3 Yogyakarta

FULL DOORPRIZE!!!
Side Event: MOVIE BAZAAR
28 October – 4 November 2009
At KKF Gallery
At 11 am – 9 pm

Sebagai rangkaian program pameran tunggal Henry Foundation “copy-paste extraordinaire” di RURU Gallery, ruangrupa mengadakan program video screening “Henry Foundation’s video works 2000 – 2009”.
Program video screening ini akan memutarkan kompilasi karya video dari Henry Foundation sejak 2000 sampai 2009. Henry Foundation adalah salah satu perupa yang intens berkarya dengan medium video. Karya videonya menjelajah dari mulai video musik, video art, video performance dan juga video instalasi

Henry Foundation setelah menyelesaikan pendidikan seni grafis di Institut Kesenian Jakarta di tahun 2000 banyak melakukan eksplorasi seni dengan beragam media, dari grafis, performance art, interactive, video hingga berbagai proyek musik.

Selain terlibat di banyak proyek seni rupa bersama ruangrupa, Henry Foundation juga bekerja sebagai video director bersama Anggun Priambodo lewat bendera The Jadugar, yang kemudian memberi referensi baru bagi estetika seni video musik di Indonesia melalui karya video mereka untuk band-band seperti LAIN, The Brandals, Naif, dan Boys R’ Toys. Henry Foundation yang akrab dipanggil dengan nama Batman juga dikenal sebagai vokalis dari Goodnight Electric – band electronic pop yang telah merilis 2 album. Sampai sekarang Henry Foundation bekerja secara independen sebagai graphic designer dan video director, dan juga kerap bekerja memeriahkan pesta-pesta di club-club ibu kota dan acara-acara musik anak muda sebagai DJ.

Acara ini gratis dan terbuka untuk umum. Kapasitas 50 orang.

Start Time: Kamis, 22 Oktober 2009
Time: 19.00 – 20.30
Place: RURU Gallery, ruangrupa
Address: Jl. Tebet Timur Dalam Raya No. 6, Jakarta Selatan 12820
E-mail: info@ruangrupa.org

October 18 starting 7 pm, Launch of Krisna Murti’s “Essays on Video Art and Multimedia: Indonesia and Beyond”. Followed by a discussion with speakers such as St. Sunardi, Ade Tanesia, Jompet, Krisna Murti and moderated by Pitra Hutomo.

October 19 to 21 starting 4 pm, Screening of selections such as: Latin America Video Art compiled as “Bolivarian Dream”, Video Art by The South Project Inc., Video documentation and printed documents on Digital Media production from our archives.

Programs will be held in IVAA public room, Jalan Patehan Tengah No. 37 Yogyakarta 55133.

Krisna Murti (b. 1957) is an artist particularly working on multimedia and general studies regarding digital experimentation for artwork creation. “Essays on Video Art and New Media: Indonesia and Beyond” is the first compilation of his essays published earlier in newspapers, magazines and exhibition catalogs.

The South Project is a framework for exploring south-south dialogue. Rather than always looking north for ‘international recognition’, the South Project aims to foster lateral exchanges between the re-emergent cultures of the south. The project extends existing cultural relations by activating: short-term residencies for cultural practitioners from Australia and other southern countries in Indonesia; the mutual development of collaborative cultural projects; and focuses on attracting the participation of a wide audience of public, exhibition viewers, workshop participants, students and general public. Tautan: http://www.southproject.net/south/The_South_Project_Inc.html

Browse the Online Archive for other multimedia-based art projects in Indonesia. Tautan: Halaman OA bagian multimedia

—————
IVAA bekerjasama dengan Krisna Murti dan South Project
Menyelenggarakan serial program
“SENI VIDEO DAN MEDIA BARU” 18 – 21 Oktober 2009

Launching buku:”Esai Tentang Seni Video dan Media Baru” karya Krisna Murti

Tanggal 18 Oktober
jam 19.00 WIB bertempat di IVAA (Patehan Tengah 37)
Diiringi dengan Bedah buku, dengan pemateri sebagai berikut:

Pembahas:
1. St Sunardi
2. Ade Tanesia
3. Jompet Kuswidananto
4. Krisna Murti

Moderator: Pitra Hutomo
Diawali dengan rangkaian screening di perpustakaan IVAA, mulai jam 16.00 WIB:

- kompilasi 24 video art Amerika Latin “Bolivarian Dream”
- kompilasi 3 video art South Project
- kompilasi video koleksi arsip IVAA
- sejumlah materi cetak dokumen IVAA

Selanjutnya pemutaran film akan berlangsung selama 3 hari dari tanggal 19 sampai 21 Oktober 2009, jam 10.00 – 16.00 BBWI, di Perpustakaan IVAA (Patehan Tengah 37).

Acara ini merupakan bagian dari program The South Project – Perjumpaan Selatan-selatan: Yogyakarta Gathering 2009, 18-25 Oktober 2009.

Kami tunggu kehadiran anda!

Mahardhika Yudha lahir 1981 di Jakarta. Berkenalan dengan video sejak usia 5 tahun ketika bersama kawan-kawan taman kanak-kanaknya menonton video Asterix (format vhs) yang disewa dari rental video.Di tahun 2003, ia terlibat dalam proyek video pertamanya –juga perkenalan produksi video pertama– yang diberi nama Massroom Project yang juga melahirkan perhimpunan Forum Lenteng. Di tahun yang sama, ia juga bekerja sebagai buruh pabrik mobil di Jakarta Utara dan menghasilkan tiga seri video yang bercerita seputar pabrik yang diselesaikannya –editing– di tahun 2006. Setelah keluar dari pabrik di tahun 2005, ia memutuskan untuk bekerja di Forum Lenteng hingga kini di bagian Penelitian Pengembangan Forum Lenteng. Ia juga bekerja di Pengembangan Seni Video ruangrupa sejak 2008. Dua pekerjaan yang sehari-harinya berurusan dengan arsip baik berupa teks, imaji, ataupun audiovisual.

Pameran ini akan menampilkan banyak footage yang telah terkurasi dan menciptakan Bank Footage mini. Perekaman-perkaman di berbagai situs seperti pabrik dan bandara, juga mengenai transportasi, perekaman momen/peristiwa masyarakat, juga hal-hal seputar profesi dalam masyarakat. Semua footage ini akan dipresentasikan secara lengkap dengan still image dan data teks. Presentasi karya akan menampilkan karya-karya video footage yang telah dikonstruksi yang akan diputar dalam format sinema selama pameran berlangsung.

Pembukaan Pameran :
Jumat, 28 Agustus 2009 jam 19.30 – selesai
Dimeriahkan oleh : Adrian Adioetomo

Pameran :
28 Agustus – 13 September 2009 (setiap hari jam 11.00 – 21.00 WIB, kecuali hari Minggu tutup)

Jadwal Pemutaran:
Jam 13.00 , 15.00, 17.00 dan 19.00 WIB]

RURU Gallery
ruangrupa
Jl. Tebet Timur Dalam Raya No. 6, Jakarta Selatan 12820
t/f: +62 21 8304220
e-mail: info@ruangrupa.org
www.ruangrupa.org